The list of artists who used those studios to leave their legacies on the world is endless. The birth of recorded hip-hop can be traced to those very rooms, in the form of productions by Arthur Baker and Tommy Boy Records. DeMille building in New York, and once served as the lifeblood of rap in the city. And though many will always argue about which era was the best (just wait, one day you’ll wax poetic about the mumbliest of mumbles to your kids), one thing is clear: by 1997, the art form’s infectious sampling, lyrical decimation, and depiction of life in New York’s outer boroughs made tunnel banger hip-hop something to truly behold.įor over 25 years, Unique Recording Studios operated on the top three floors of the now-razed Cecil B. The genre was basking in the warm afterglow of golden age rap, and had yet to succumb to the excess of the jiggy era. Through Tu Pum Pum: The Story of Reggaeton, a new column by Eddie Cepeda, we’ll explore reggaeton’s history, sociopolitical struggles, and its impact as a global force in music and culture.Īsk an older hip-hop head – or young romantic of the genre – and they’ll tell you that to be in New York in 1997 was to bear witness to hip-hop wizardry. ![]() As an Afro-diasporic movement, Panama, Puerto Rico, Jamaica, the Dominican Republic, and New York are all pivotal landscapes in the style’s musical evolution. ![]() R eggaeton began organically as a transformation of dancehall, hip-hop, and reggae en español.
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